A Global History of Architecture
From Publishers Weekly
Unabashedly huge in its proportions, this book differs from the standard architecture survey in that it doesn’t approach the topic from a Western perspective, but rather, as the title indicates, through a global lens. This bodes well for its success as a textbook, but will also please the casual reader. Chronologically organized, the work spans the globe within each time period, occasionally taking time to discuss certain styles and major historical periods, b [Read More...]
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This book is a sorely needed alternative to current textbooks. It is written in crisp and unsentimental style that conveys big themes but with an attention to details. The book is organized as a series of timelines beginning with 3500 BC and ending with a chapter on recent architecture. But instead of each chapter beginning at the same place in the world, each chapter begins somewhere differently.3500 BCE starts in China, 25 BCE in India, 1500 BCE in Egypt and 800 BCE with the Olmecs in Mexico. This constant turning and spinning of the globe is, in my view, quite exiting, as it gets students to learn how to be comparative in their thinking and simultaneously mobile in their intellectual understanding of history. Each chapter is introduced by a one page “take” on the architecture of each time section. These introductions, which serve as a text with a text, point out the themes of each chapter. Naturally in a work like this, one can talk about what is and is not included, but one has to give credit to the fact that book provokes that type of question in a positive way.
A fascinating argument that the authors make is that from early on architecture was changing and adapting, and, in essence, `modern.’ In other words, it is not that WE are modern and everything before us was linear and stable. The book in that sense not only wants us to get a sense of the global horizon of architecture, but also a sense that architecture is very much IN history, reflecting in very real and dramatic way the changes that take place not only in technology and economy, but also in religion and power, those being four identifiable subtexts of the author’s approach to the material.
I especially liked the chapter 1600 and its companion chapter “Architecture of Eurasian Power Block” which starts in Japan and works its way through Eurasia to England, not once but twice to emphasize the significance worldwide of the period 1500 to 1700 in the history of architecture. The drawings, sections, plans and photos work well with a text that is as densely packaged as this. And finally, it is worth noting that the book also serves to give the students fundamentals in the various global architectural vocabularies, Greek, Chinese, Hindu
I pre-ordered Ching’s new book months ago based just on his outstanding work in his previous books. I wasn’t disapponted. The timeline organization gives a much-needed new comparative perspective on architecture around the globe and across time. Ching’s illustrations and choice of photos are just enough to illustrate the excellent text. This is yet another example of Ching’s talent as an architectural illustrator and teacher of arxchitecture.
At first I thought the book would be too dry and encyclopedia like, but when I started reading the chapters, I was taken by the text. It moved along nicely, and though there is a lot of information, it is presented in a way that makes sense, and in a way that helps one navigate through the `big pictures’ of history. The maps are nice but they sometimes could have more information on them. The book is a challenge to those who think linearly or for those who think that the history of architecture “begins” with the Egyptians and Greeks and then “ends” in US postmodernism; the purpose of the book is to keep the globe turning. Sometimes the authors go east to west and sometimes west to east. It takes a little getting used to, but I think people will appreciate the idea that history is a moving target. It makes for some interesting contrasts. Each chapter has its own particular logic, however, and tries to emphasize a particular theme, having to do with religion or politics. On page 511, there is an imaginary architecture tour that begins in Japan and ends in England; it was an eye opener for me. At that particular time, as the authors point out, though Europe was in the middle of the Renaissance, there was a lot of good stuff also happening in China, India, and Turkey, that cannot be simply ignored as part of some `other’ tradition.’ It was all interconnected. I also discovered the free Google Earth download from Wiley Press web site where all the buildings in the book are flagged! That has been a great help in lectures.